Marie-Luce Nadal (born in 1984 in France) is a transdisciplinary eco feminist and queer visual artist and researcher. Her work is at the intersection of art, science, and climate. Nourished by a reflection and a desire to raise awareness about social and climate justice, she creates sculptures, performances, and movies. Her work invites the audience to reflect on their role and actions on Earth, and the way they modify and influence their surrounding environment.

Nano Ville is an audiovisual production and direction company, founded by two brothers, Thomas Causse (producer) and Elliott Causse (artist-video maker). Nano Ville provides an experimental approach of video, combining various universes and trades, from music videos to videogames, from the digital world to urban art. Nano Ville works as a small team to reintegrate its creation processes and build the adequate teams for each project.

Sarah Nasla is an independent curator. After her experience as the cofounder of the curatorial collective 1:61, she formed a curator duo with Margot Rouas. Her curatorial projects focus on the photographic medium, but they are also open to other fields of experimentation, linked to other artistic mediums. She sees her practice as a hybrid exchange with the artists and the cultural sites, with a special attention for the audiences.

Aapo Nikkanen (born in 1982 in Kirkkonummi, Finland) studied Fine Arts at Tampere University of Applied Sciences, at the Haute École d’Art et de Design in Geneva, and at the Sandberg Instituut in Amsterdam. Artist, filmmaker, and curator, his work focuses on the ecological crisis, psychology, and intimacy. He is one of the cofounders of the Paris-based multidisciplinary collective called The Community, where he worked as art and installation director from 2016 to 2020.

Adrien Ogel (born in 1992 in Saint-Maurice, France) follows pictorial investigations begun at school, a figurative painting evoking the memory of architectural details and urban landscapes that he encounters on a daily basis. He develops two central series that articulate his work; small oil paintings on canvas, enregard with large formats on paper with gouache and India ink. In 2021, he won the Grand Prix du jury Horizon with Service méridional, and is currently following the SHIFT accompaniment program led by the AMAC agency.

Raphaël-Bachir Osman (born in 1992 in Creil) graduated from the Haute École des Arts du Rhin and also studied at Kunsthochschule Weissensee Berlin. From 2017 to 2020 he was the codirector of Erratum Galerie, an artist-run space in Berlin. From painting to installation, he develops a multi media work that questions and mocks the notion of originality, the process of creating, exhibiting, and mounting a work. He plays with materials and codes of presentation by associating autobiographical elements and a certain magic of the ordinary.

Born in 1993, Lisa Ouakil lives and works in Paris. She graduated from the École Nationale Supérieure of Arts of Paris-Cergy in 2017. Her work is mainly based on painting
while also focusing on writing, film, music and more recently ceramics. The paintings develop around the analogy between the pictorial material and the flesh, the notions of the body and landscape in a particular attention to the color.

Stefano Perrone (b.1985) is an Italian artist who works between Paris and Milan. He graduated in Industrial Design from Politecnico di Milano in 2008 and worked as an art director in advertising until 2015. Perrone is a self-taught painter, whose practice is not limited by subject matter, appropriating images from the contemporary digital zeitgeist and daily life. His practice reflects the “stream of consciousness” process of web browsing, walking the line between abstraction and figuration.

Boryana Petkova (born in 1985 in Sofia, Bulgaria) graduated from the National Academy of Fine Arts in Sofia and from the École d'Art et de Design de Valenciennes. Her work focuses mainly on drawing. She combines different disciplines by exploring their interaction with drawing. The main idea of her artistic and philosophical approach is to imagine and create "links", even symbiosis in dissymmetry and dissimilarity.

Pierre Pauze (born in 1990 in Meudon) graduated from Le Fresnoy and the Ecole des Beaux-Arts de Paris. His practice evolves as much in the field of contemporary art, cinema and digital arts. He explores themes linked to the mutations caused by new technologies, notably on the new modes of representation, communication and the mythologies that result from them. He regularly collaborates with scientists and actors in various activities.

Foriane Pilon (born in 1991 in Courcouronnes) graduated from the École Nationale Supérieure d’Arts de Paris-Cergy. She mainly creates installations in which space and the work on materials play essential roles. Through the origin of the materials, their transformations, and their use in space, Floriane Pilon considers her works’ relationship with the environment. Using a minimal language, her installations combine strength and fragility.

Anthony Plasse, born in 1987, is a graduate of the École Supérieure d'Art de Clermont Métropole (2013) and the École NationaleSupérieure des Beaux-Arts de Lyon (2015).his work has been presented in Turin, International Festival of Art and Design Schools (2015), Reykjavík (between 2016 and 2017), Porto andNew York (2018). He has more recently participated in group exhibitions in France such as the 69th edition of Jeune Création at the Fiminco Foundation, Romainville (2020), Qui montent de la terre at the Marcelle Alix Gallery, Paris (2022), Le Promontoire du songeau FRAC Auvergne, Clermont-Ferrand (2022). The works presented during his first solo exhibition at the Serre, Saint-Étienne (2020), enter the public collections of the FRAC Auvergne (2021) and the Museum of Modern and Contemporary Art of the city of Saint-Étienne (2022).

Agathe Pollet (born in 1993 in Paris) is an object designer and scenographer. She develops a multidisciplinary practice, often collaborative, in the fields of decorative arts and scenography. She uses fiction as a space of exploration, elaborating imaginary narratives that she stages in illustrations and phantasmagorical settings. From this fictional universe, organic and colorful silhouettes emerge that she materializes into sculptural objects.

Producer and curator of contemporary art projects, specialist of the Mediterranean and founder of MARITIMA 01 & MARLANDS supported by the EU and the UN, Elena works, thanks to the support of leading art museums and cultural centers, to the realization of artistic projects of international dimension with contemporary artists, researchers and scientists. Elena's professional practice is largely based on the search for new working methods and is supported by its art residencies launched 10 years ago.

Robin Poupard is passionate about natural materials, know-how, and creation. He graduated from the École Boulle in cabinet-making, which he then completed with training at MADE. Rewarded by several prizes, his creations mix different skills: cabinet-making, sculpture, leather goods… In 2016, he founded his studio between Paris and Normandy where he designs and produces furniture in unique pieces and limited series. His creations are based on the desire to establish a balance between tradition, innovative manufacturing processes, function, and the sensitivity of the material.

Lia Pradal (born in 1992) graduated from the Beaux-Arts de Paris. Artist, editor, and graphic designer, she places the artist’s book at the heart of her practice. In solo, Lia develops a practice of illustration. Camille Tallent (born in 1987) is an art historian by training and combines several activities, including journalistic criticism and various editorial and visual practices. Together, they created the editorial project Païen in 2015. They collaborate on various projects around the printed image that they develop
through installation, video, or sculpture.

Jonathan Pêpe (born in 1987, Toulouse) was trained at Le Fresnoy, Studio national des arts contemporains. His constantly evolving plastic research can take the form of drawings, films and installations that can be interactive, evolving and robotic. Jonathan Pêpe produces fictions by hijacking contemporary techniques such as “soft-robotics”, through works such as Exo-biote (2015) or Haruspices (2019), which feature moving silicone sculptures that pretend to breathe. Often created in collaboration with research laboratories (INRIA, CNRS), Jonathan Pêpe's works question from different angles the cursors where we humans place the boundary between the living and the non-living.

Alexander Raczka (born in 1995), is a a Polish and Italian artist, connects concepts of authority, architecture, representation strategies, communication, and image in his works. He uses painting, installation, and photography in a docu-fictional manner. His work is presented in the form of books and multiples.
In 2017, he notably exhibited at the Galerie Les Filles du Calvaire in Paris during the "Métamorphoses de l'ordinaire" exhibition. In 2019, Alexander Raczka participated in the Printed Matter's New York Art Book Fair 2019 in New York. In 2023, he was part of the "Concorde" exhibition at the Community Centre in Pantin. He is also included in the "La morsure des termites" exhibition at the Palais de Tokyo in Paris.

Andy Rankin's curatorial research is oriented towards the intersection of collapse, eschatological and speculative thinking, with a particular interest in the imaginaries of disaster. Whether it's a theatrically reproduced earthquake, a powdered exhibition reminding us of the finitude of all things, or a mobile exhibition stashed away for a post-apocalyptic world, his projects are born first and foremost from a desire to slip into the interstices of possible futures and experiment with the exhibition format.

Brieuc Remy's work, at the crossroads of painting and drawing, resembles a long fiction whose represented figures would be the protagonists. What form(s) will the living beings that populate the earth take once the domestic animal has put an end to human life? This could be the apocalyptic question that the artist tries to answer, not without humor, in a serie undertaken two years ago. He is interested in the relationship between man and the subjects that make up his natural environment.

Coming from trainings favoring self-production and a free practice of design by desire, Manon develops a singular formal vocabulary where the drawing occupies a place of
place of first order. Through the line, the forms in volume emerge. The work of metal allows her instinctively to freeze a movement by infusing a little of herself into the
the realization. The objects born from this process take place in the daily life as many talkative creations. Her affinity for color and matter finishes by giving life to her drawings in space.

Clara Rivault (born in 1991 in Paris), after graduating from the Beaux-arts de Montpellier ESBA.MOCO and obtaining a Master’s Degree at La Cambre, joined the research laboratory “Ceramic as an experience” at the Beaux-Arts de Limoges. Close collaboration with craftsmen is an integral part of her work. She explores various mediums, such as bronze, blown glass or porcelain, through a multidisciplinary practice. The concept of “body” is essential in her research.

Jack Rother Garcia (born in 1987 in Montreal) is a self taught artist working in Paris. His pratice covers a range of mediums from collage to painting to printing, flyers and photography. His work often deals with unfiltered exploration of self, often alluding to themes of solitude, absurdity, fear, tenderness, self deprecation, and social commentary at large. This is mostly achieved through a combination of text, abstract color work, and appropriated pop imagery.

Rotolux is a collective workshop founded in 2015, by Léna Araguas, Alaric Garnier, Anaïs Leroy, and Dimitri Robert-Rimsky, initially in a former printing house in Bagnolet. Rotolux has since been transformed into a space for work, research, and production, hosting exhibitions, projections, and performances. This variable geometry entity has thus become a new multidisciplinary team of artists, researchers, graphic designers, and curators.