The work of Pascal Hachem (Lebanese born in 1979) involves actions of displacement. These are real actions, not videos, made either by the artist himself or by objects he sets up. He is inspired by aspects of everyday life in the city, which tend to contextualize his way of thinking and influence his work in an unconscious way that he cannot escape. He does not impose any rules on himself, but rather is driven to produce by a single impressionable time.

After studying photography at the Azad University of Tehran, which taught him the role of photography during the Iran-Iraq war, Arash Hanaei (born in 1978 in Tehran, Iran) developed a practice combining mediums and techniques. Since 2015, his practice has been evolving from photography and documentary towards a more speculative and intermedia approach, questioning post-Internet strategies during a political crisis and a crisis of representation.

Shuo Hao is a contemporary artist based in Paris. After graduating from the Central Academy of Fine Arts in Beijing (CAFA), she studied at the Sorbonne and then at the Haute École des Arts du Rhin (HEAR). Represented by Galerie Derouillon, Shuo Hao has held several solo exhibitions in Paris and has participated in numerous group exhibitions internationally. Her work explores the intersection of dual cultural iconographies and the metamorphosis of the body.

HEADBUTT, co-founded by Vanille Ferragu and Marie Manguele, reinvents the electronic music scene by creating new imagery shaped by their perspectives as mixed-race women, while paying tribute to Black cultures. Between club nights and THINK HEADBUTT, music, bodies, performance, and machines come together to rethink celebration as a space for play, freedom, and shared narratives.
Machines are highlighted, but the visuals, always handmade, question the use of AI today, celebrating imperfection, unpredictability, and free expression.

My-Lan Hoang-Thuy graduated from the École des Beaux-Arts de Paris. She was awarded a residency at the Académie des Beaux-Arts and received the Yishu 8 Prize. She has held solo exhibitions in museums (MEP) as well as in several galleries, including Galerie Mitterrand, Project Native Informant, and Galerie Semiose.
Her work has been shown in various institutions (Stedelijk Schiedam Museum, FRAC Île-de-France) and is included in the collections of FRAC Auvergne, FRAC Champagne-Ardenne, FRAC Nouvelle-Aquitaine, the MEP, and the City of Montrouge.

Maria Ibanez Lago (born in 1960 in Buenos Aires) has participated and launched collective artistic projects, within which she also served as curator. She works on the materiality of the image and its relation to objects in order to evoke a dramaturgy. Painting is examined in its historical context, and the boundaries of the format are expanded towards its defining limits, attempting to transform it into an object, a sculpture.

Lev Ilizirov (born in 1979 in Russia) emigrated to Israel in 1996. After studying at the Bezalel Academy of Arts in Jerusalem, he chose to focus on documentary photography. The incorporeal message and the abstraction of the world were the main aims of his work then. At the Royal Academy of Fine Arts in Amsterdam, the elements and the frame of daily life became the basis of his work. The unexpected, created by the accidental interference of external factors, an imperceptible phenomenon, is what he tries to capture with his camera, later giving it shape through installation.

Clara Imbert ( born in 1994), graduated from Central Saint Martins in 2017. Her approach consists of an exploration of the relationships between the notions of reality and illusion, space and perspective, the object itself and the observer. She draws on physical, mathematical and philosophical theories to experiment with different materialities and thus unravel intangible ideas. She studies the invisible to reveal new dimensions. Her research leads to the realization of projects that can take various forms such as photography, sculpture and installation.

Daniel Jablonski (Rio de Janeiro, 1985) is an artist, teacher, and researcher. He applies research methods to his own daily life to produce works that function as true “case studies.” These research-creation objects can take various forms—such as installations, photographs, objects, performances, or writings—and be presented in exhibitions, publications, or conferences. For many years, he taught and coordinated educational programs at the School of Arts in Rio de Janeiro and at the São Paulo Museum of Art. Currently living between Brazil and France, he teaches contemporary art history at CY Cergy Paris Université and is pursuing a practice-based PhD at ENSAPC.

Luke James’ practice, composed mainly of sculptural work, establishes a physical relationship with materials and space. His sculptures can be understood as a series of sensitive gestures applied to materials treated in a raw manner. His work develops between dynamics of force and curiosity: humans, animals, architecture, and social classes are among the elements of interaction that the artist observes and questions in his daily practice.

Myriam Jarmache is an opera singer and dancer. All her research links these two practices: Becoming a body and a voice without hierarchizing these modalities. Initially trained at the Radio France Master's degree, she went on to follow a multi-disciplinary path combining singing, contemporary dance and theater. Transmission and laboratories around song and dance are a passion-creation in their own right. She has worked with François Chaignaud, Les Cris de Paris and Magali Dougoud, and is a member of the La Ville en Feu and La Grosse Plateforme collectives. She joins StudioK at POUSH in October 2022, and continues her research into the decompartmentalization of opera singing, or how to desacralize a so-called "learned" art, summoning the intimate rather than the spectacular.

Ellande Jaureguiberry (born in 1985 in Paris) is a sculptor and illustrator who uses a wide range of materials and techniques, but he focuses especially on ceramic. He develops a shapeshifting work that questions the relation of belonging and resonance between the human mind and the universe, a dialectic of body and space, attempting to reunite them as paradoxical aspects of one reality. Rooting his research in a relationship with the unconscious, he explores the links between architecture and nature in a movement between structure and ornament.

Ángela Jiménez Durán (born 1996 in Madrid) graduated from the École d'arts de Paris-Cergy in 2019. She lives and works between Paris and Madrid. Her artistic practice revolves around installation and sculpture in conjunction with the written word, blending science fiction, geology and biology, exploring uncertain futures. Inspired by magic realism, her works unfold multiple narratives, provoking feelings of strangeness, like clues to an enigma to be solved.

Isabel Judez (born in 1992 in Guri, Venezuela) is an artist and architect based in Paris. Through sculpture, installation and performance, she challenges rigid narratives of territorial history and envisions inclusive and environmentally friendly forms of heritage. Combining natural fibres, stone and collective actions, her practice explores the relationships between territory, memory and transmission.

June is a multidisciplinary artist. Through sculpture, her work evokes the absurd, paradox, absence, and memory. She composes environments with ambiguous scales using architectural, sonic, visual, and poetic fragments.

Kyoko Kasuya is a Japanese artist and film-maker who lives in Paris. After the 2011 earthquake and tsunami and the Fukushima accident, she chose to stay in France, which prompted her to explore contemporary society and its identity. Her work focuses on the temporality of shared experiences, memories of the Second World War and the lives of contemporary women. Her work deals with sociological and historical subjects, aiming for a universal understanding of human experience. Since 2020, she has been a member of Crown Letter, an international collective of women artists, and has exhibited at various festivals and institutions such as BIENALSUR, KYOTOGRAPHIE, the Fiminco Foundation and the Institut Français.

Farid Kati (1994) is a Franco-Algerian artist whose multidisciplinary practice—spanning installation, sculpture, video, and drawing—explores invisible forces and dynamics of displacement. A graduate of the Beaux-Arts in Le Mans and Paris, he creates kinetic dispositifs that transform wind into “adugraphies” (adu meaning wind in Berber), revealing questions of memory, migration, transmission, and mobility through sensitive, site-related forms.

Alexandre Khondji’s practice (born in France) is grounded in a contextual and experimental approach. His works, diverse in form and method, seek a balance between the act of intervention and the intrinsic qualities of the contexts they inhabit.
His work has been presented at the Okayama Art Summit in Japan, the Fondation Pernod Ricard in Paris, Sweetwater gallery in Berlin, the Museum für Moderne Kunst (MMK) in Frankfurt, the CAPC Musée d’Art Contemporain in Bordeaux, and the LUMA Foundation in Arles.

Morteza Khosravi, born in 1988 in Bojnourd, Iran, is an Iranian artist who lives and works in Paris. His practice develops primarily through painting and sculpture. Based in Paris since 2023, he joined POUSH in 2025, where he continues to develop his work in his studio.
His research envisions painting as an autonomous medium. Nourished by art history, cinema, photographic archives, and personal or anonymous images, his works question the memory of images, their displacement, and the conditions of their appearance.
Morteza Khosravi has presented several solo exhibitions, notably at Leila Heller Gallery in Dubai and New York, Galleri Ramfjord in Oslo, Artlab Gallery in Beirut, as well as Iranshahr and Golestan galleries in Tehran, Danjeh in Semnan, and 4rtgallery in France.
His work has also been featured at the MENART Fair in Paris and Brussels, Contemporary Istanbul, Beirut Art Fair, Festival Partage des Arts, as well as in the group exhibition Demeure, organized by POUSH at the Paris Pantin Cemetery.

Tilhenn Klapper (b. 1994, Vermont, USA) is a visual artist and choreographer with degrees from the Beaux-Arts de Paris (MFA Atelier Danse Emmanuelle Huynh), Sciences Po Paris (MA Political Ecology), and Vassar College in NY (BA Philosophy). She is interested in the forms and practices linking humans to the invisible and the sacred in pre-modernity, and what they do to the noeliberal scheme. Her works are ways of keeping in touch with the embedded memories and hallucinations that the earth holds.

Margaux Knight is an independent curator with a background in social sciences and Latin American studies. Her curatorial projects are rooted in critical reflection on displacement and the decentering of perspectives, drawing on feminist and decolonial epistemologies from a situated standpoint.
Recently, she has curated group exhibitions at POUSH, in the historic Cité Falguière studio, at Julio Artist-Run Space, and at the Casabanchel cultural center, as well as solo exhibitions at ARCO Madrid and Salon H. In parallel, she writes curatorial texts for galleries and institutions (Jousse Entreprise, Fundacion EACHEVE, Paris Photo…). She is a member of the feminist association Contemporaines and the Bureau des penseur.euses at POUSH.

Painter of Russian origin. Born in Moscow (in 1987), she lived in Laos and Italy before settling in Paris. After studying literature, philosophy, and photography school, Nina Koltchitskaia turned to painting. She expresses herself through poetry and painting in a unique and sensitive style. On canvases or large murals, her intuitive works express freedom and romance. Her work is characterized by a soft and dreamy atmosphere, where each piece becomes an emotional journey. Through her creations, Nina Koltchitskaia invites an intimate exploration of the human soul, blending sensitivity, poetry, and a touch of magic. She questions memory, the curvature of time, and the representation of love. Her paintings evoke the tranquility preceding a storm, capturing frozen landscapes and dreamlike scenes where flying fish and birds converse with the moon, in a palette of romantic colors. NK regularly exhibits her projects in Paris (« la Femme fleur et
l’Oiseau » musical portraits - 2021) and in Asie (« Romance » museum of Contemporary art of Seoul - 2021, and « le Tour du Monde avant la Tempête » solo show at the WWF gallery Seoul,
Korea - 2025).

Born in 1995, Gabrielle Kourdadzé grew up in Paris in a French-Georgian family. She graduated in 2019 from the Ecole Nationale Supérieure des Arts Décoratifs de Paris. Her work revolves around the mediums of ink drawing and oil painting, and deals with the representation of the body and its inscription in the social space. She is also a musician (piano, accordion and singing), and her plastic works are combined with sound installations.

Hélène Labadie is an artist and object designer. In ceramics, glass, textile or metal, her creations seem to be caught between two disciplines, at the border of art and design. Largely anthropomorphic, the objects "are directly inspired by film characters" she confides. Her strange and unique objects are close to cartoon characters with which she recreates her own fictions.