Alexandre Fandard defines himself as a visual artist of the living arts. Painter, performer and choreographer of Afro-Caribbean origin. He draws his raw and radical force from the disorder of the body and the world. He perceives the World as a common flesh, an old wall, a place of memory, an old skin that trembles, similar to our body, the one that inexorably brings us back to face our presence in the world. His works, with their dark and luminously poetic charm, are an exploration through the body and the material of the vertigo of "nature", of this reality in perpetual movement, of this trembling of relations, at the same time chaos and immeasurable source of creation.

Julian Farade (born in 1986 in Paris) lives and works in Paris. He is interested in popular arts and crafts. Whether he paints them, draws them, weaves them, engraves them, Julian Farade's fantastic animals are everywhere, swarming, overflowing. An embroidery stitch that he invented himself allows him to transpose his animal pictorial vocabulary into wool. The debacle of his canvases and notebooks gives way to a more tedious and meditative work.

Camilla Farina (born in 1984 in Paris) graduated from Villa Arson in Nice in 2010. Camilla is an illustrator, and she mainly relies on processes of mechanical reproduction to drive her visual research. She tries to let the dialogue between the drawing and the machine happen, observe what it can produce, materialize, reveal by itself. The work is often the result of simple and combinatory protocols, which generate series that, through their insistence, gradually alter a motif and cause it to oscillate between a mechanical approach and a more sensual and sensory approach.

Samuel Fasse’s (born in 1995 in Paris) work focuses on the possibilities offered by the body as an instrument of creation. He perceives new technologies as tools leading to the design and understanding of a new corporality. Through this multiform and collaborative approach, he establishes a dialogue with different actors close to the most eclectic profiles – dancers, composers, developers, researchers – expressed in several artistic forms such as performance, installation, or sculptures.

Juliette de Ferluc was born in 1989. Her plastic research focuses on the oxidation of copper, the enamelling of clay and the modelling of plaster. Her work with copper involves extracting shapes and colours from the metal rather than adding them, using techniques similar to those she uses to obtain textures and colours in her ceramic sculptures. She is also interested in elevating forms by repeating identical modules, exploring both modelling and the new possibilities of 3D ceramics. The issues of wall and floor hanging are at the heart of her current work.

Émilie Ferré is a self-taught artist. Her work is rooted in the study and understanding of the elements, both microscopic and macroscopic, of the world around her. The extrapolation of the invisible introduced her to an almost cathartic process, which led her to create her own interpretation of the origin and the processes of life. Playing with empty and full areas, the simple gestures of her paintings bring forth ungraspable words; the organic shapes of her sculptures, as they develop, meet a sensible world.

First Laid is a publishing house composed of five curators, artists and designers (Jesse Wallace, Thomas Collinet, Louise Cirou, Zoé Sylvestre, Clémence Warnier + Chevaline Corporation Chauvelot), who support every guest artist in the realization of a publication and of a solo show. Through exhibitions and residencies, the collective provides its research on the role of the editorial object and the various ways to feature it in the production of an exhibition.

Deborah Fischer (born in 1992 in Paris) graduated from ENSAAMA in Textile Design and from the École Nationale Supérieure des Beaux-Arts de Paris. For several years, she has been collecting "almost nothings", those elements that have lost their usefulness but that keep in them a plastic and emotional charge. Through this approach, there is a questioning around the environment, the trace that we leave there. By constituting her own "Archaeology of the present", as close as possible to the issues of our society, she also tries to detect the spirit of a place, real or virtual, and to create from what it tells us.

Bérangère Fromont (born in 1975 in Martigues) is a French artist photographer. Intimate, collective and literary references, documentary and staging, are mixed and articulated around the central notion of her work, the notion of resistance. She focuses on what is undefined or incomplete, fragile, and in between. At the same time disappearance and appearance. Between ruins and revolution.

g. olmo stuppia (born in 1991 in Milan) is both an artist and an author. He trained in Barcelona, Paris, and Venice (IUAV University of Visual Arts). Through sculpture, video, writing, performance, and installation, his research takes shape in the creation of works and projects penetrated by his fascination for control devices, eroticism, alchemy, and desire as well as for the archaeological fragment.

Bruno Gadenne's (born in 1990 in Cavaillon) work is about landscape and nature. Travels around the world and the gouaches and photographs he brings back are the source of his work. In his oil painting, he tries to create an unusual dimension, a tension. Through a work on the luminous atmosphere, he establishes a double game between wonder and feeling of "disturbing strangeness". A calmness that conceals an underlying wound, a search for the sublime.

Gerard & Kelly is a duo formed by Brennan Gerard and Ryan Kelly since 2003. American artists based in Paris since 2018, they have been collaborating for two decades in a multidisciplinary practice between performance and installation, integrating film/video, writing, drawing and sculpture. Having studied ballet, visual arts, literature and the sociology of gender between them, they use conceptual strategies to examine broader themes of memory and history, sexuality and subjectivity. Their questions are often posed in the context of a particular architectural space, pushing the site's socio-cultural and political precedents into open dialogue with their work.

Rotem Gerstel was born in Israel in 1988. She currently lives and works in Paris. Her multidisciplinary artistic practice varies between sculpture, video, installation, drawing and sound. She is a graduate of the BFA Ceramics and Glass Department at the Bezalel Academy of Art in Jerusalem, the Audiovisual Department (VAV) at the Gerrit Rietveld Academy in Amsterdam and the European Postgraduate Program in Sound Arts at the KASK Academy of Art in Ghent. Her multidisciplinary artistic practice spans sculpture, video, installation, drawing and sound.

Gia & Gia Studio is a creative studio based in Paris, combining strategic consulting, artistic direction, creation of images and spaces. A duo of two brothers, Raphaël (born in 1991 in Paris) and Laurent (born in 1987 in Paris) one a curator and retail designer, the other a photographer and interactive designer, together they imagine new narratives, rethinking the relationship between physical space and the digital world. They intriduce new formats of exhibitions, documentations and collaborations for artists, designers, publishers and fashion designers with whom they share a common aesthetic and vision.

Beya Gille Gacha (born in 1990 in Paris to a Cameroonian mother and a French father) is a multidisciplinary artist. In 2011, she entered the École du Louvre, where she developed her
sensitivity to classical African, Indo-European, Asian, Atlantic, and Oceanian arts. She sees her practice as a commitment to an intersectional perspective.

Marine Giraudo (born in 1991 in Paris) is a photographer and collagist. She graduated from Ecal in 2017. In a world bathed daily in images, it can be difficult to stand out with a singular visual identity. And yet, Marine Giraudo has managed to anchor herself in the era of time by using antithetical mediums but with equally impactful effects. The image is her domain. She began by creating universes using virtual reality. If technological innovation has allowed her to realize many collaborations, it is on the contrary by returning to 2D and existing material that she flourishes today. From textures, shapes and colors of the images she selects or photographs, she imagines collages and recomposes a whole new visual universe, alternating commissions for the fashion world and personal creations.

Antoine Goldet (born in 1992 in Paris) studied anthropology and politics at the School of Oriental and African Studies (SOAS) in London, before pursuing an MA in video journalism at
Columbia University in New York. He has worked as an investigative journalist in the US for the Marshall Project and Reveal, and made his first short documentary film in 2015 in Cuba for the Miami Herald. In 2018, with director Dea Gjinovci, he founded Amok Films, a documentary production house that believes in a free, creative, and engaged documentary creation space.

Célia Gondol (born in 1985 in Grenoble), a visual artist, choreographer and dancer, places her work in the fields of choreography, music, astrophysics, fundamental physics and spirituality. She questions the limits of representation and the possibilities for transmission and interpretation that a work can contain. The speeds, the movements, the dimensions that elude our scales and our everyday representations: this is what the artist places at the heart of her approach.

Corinna Gosmaro (1987) is an Italian artist who lives and works in Paris. Her work reflects on the timeless characteristics of the human being intended as a cultural and global entity. She is interested to highlight how most of the gaps related to our understanding are due to the difficulty to go out of the cognitive paradigm and how the latter pushes us constantly to experience through a sort of narration which not necessarily coincides with the reality itself. In 2020 she is the recipient of the Italian Fellowship at the American academy in Rome and in 2021 she is resident at the Fondation Fiminco. She has exhibited her work in numerous exhibitions in Italy and abroad.

Cecilia Granara (born in 1991 in Jeddah, Saudi Arabia) is Italian and studied at Central St. Martin’s School of Art and Design in London, Hunter College in New York and at the Ecole Nationale Supérieure des Beaux-Arts de Paris. She is a painter and a writer, drawing on autofiction, poetry and the use of symbols. She is interested in cultural attitudes towards sexuality, our relationship to bodies and the use of color as a vehicle for emotion.

Rafik Greiss is an Egyptian artist of Irish descent, who is based in New York. Between 2017 and 2020, he studied art history, and photography at NYU. During those years, he started to exhibit his photographs in multiple independent collective exhibitions. His work has been published in i-D, Vogue, Paper Magazine, Avant Arte, Purple, among others.

Alice Grenier Nebout is French-Canadian, graduated in Fine Arts from Central Saint Martins in London in 2017. In her paintings, frescoes, and drawings, she reinterprets the sensations that nature provides us. Focusing on the wilderness, the silent forests, fascinated by mythology, and biodiversity, she brings us into a hypnotic, sensual, and colorful vision of a paradise not quite lost.

Angèle Guerre (born in 1988 in Paris) graduated from the Ecole des Beaux-Arts de Paris. She develops her artistic practice by exploring different ways of cutting into the surface. Whether it is by scraping an old mirror or making incisions on paper, the aim is to make the material visible and produce another space with it. It is a film falling apart, a protection fading away, a skin swelling, and therefore a sensation being suggested.

Juan Gugger (Dean Funes, 1986) is an Argentinian artist living and working in Paris. He works generating site-specific situations, sculpture, writing, drawing, photography, and video. Gugger’s work explores the subconscious domain of habits and assumptions he considers invisible forces shaping the world. Much of his work hack these unconscious aspects in architecture, globalization, technology, and their relationships with the non-human nature.