Robin Poupard is passionate about natural materials, know-how, and creation. He graduated from the École Boulle in cabinet-making, which he then completed with training at MADE. Rewarded by several prizes, his creations mix different skills: cabinet-making, sculpture, leather goods… In 2016, he founded his studio between Paris and Normandy where he designs and produces furniture in unique pieces and limited series. His creations are based on the desire to establish a balance between tradition, innovative manufacturing processes, function, and the sensitivity of the material.

Lia Pradal (born in 1992) graduated from the Beaux-Arts de Paris. Artist, editor, and graphic designer, she places the artist’s book at the heart of her practice. In solo, Lia develops a practice of illustration. Camille Tallent (born in 1987) is an art historian by training and combines several activities, including journalistic criticism and various editorial and visual practices. Together, they created the editorial project Païen in 2015. They collaborate on various projects around the printed image that they develop
through installation, video, or sculpture.

Valentine Prissette is a visual artist born in 1998, who graduated from the Fine Arts in Cergy in 2022. Her work revolves around installations combining textiles, wood and wax. At she creates fragments of interiors, uninhabited scenes of a uninhabited scenes of a theatre at a standstill. For Sleeping Pantings (solo show) she uses familiar forms to evoke the ambiguous tales
equivocal tales recited before going to sleep. Her latest series blurs notions of scale; inside the models, embroidered drawings become new protagonists.

Victor Pueyo (born in Paris in 1989) painter, trained in architetcture. Starting from what exists, from reality, or history of arts references, his work explores a series of tensions. Firstly, the tension of a fragile material – he paints with oil paint on cigarette paper – questioning the vulnerability of our representations. As the light touches the surface, it exposes the material, the gesture, and the image that has been painted. A tension is also created by what is hidden behind the appearance and tthee first sheeets, which we can feel but remains veiled. Through the fragment he tries to capture what surrounds him: sometimes a hand, a body, a vase, a horizon, a still life. His work has been exhibited in France and abroad.

Jonathan Pêpe (born in 1987, Toulouse) was trained at Le Fresnoy, Studio national des arts contemporains. His constantly evolving plastic research can take the form of drawings, films and installations that can be interactive, evolving and robotic. Jonathan Pêpe produces fictions by hijacking contemporary techniques such as “soft-robotics”, through works such as Exo-biote (2015) or Haruspices (2019), which feature moving silicone sculptures that pretend to breathe. Often created in collaboration with research laboratories (INRIA, CNRS), Jonathan Pêpe's works question from different angles the cursors where we humans place the boundary between the living and the non-living.

Alexander Raczka (born in 1995), is a a Polish and Italian artist, connects concepts of authority, architecture, representation strategies, communication, and image in his works. He uses painting, installation, and photography in a docu-fictional manner. His work is presented in the form of books and multiples.
In 2017, he notably exhibited at the Galerie Les Filles du Calvaire in Paris during the "Métamorphoses de l'ordinaire" exhibition. In 2019, Alexander Raczka participated in the Printed Matter's New York Art Book Fair 2019 in New York. In 2023, he was part of the "Concorde" exhibition at the Community Centre in Pantin. He is also included in the "La morsure des termites" exhibition at the Palais de Tokyo in Paris.

Andy Rankin's curatorial research is oriented towards the intersection of collapse, eschatological and speculative thinking, with a particular interest in the imaginaries of disaster. Whether it's a theatrically reproduced earthquake, a powdered exhibition reminding us of the finitude of all things, or a mobile exhibition stashed away for a post-apocalyptic world, his projects are born first and foremost from a desire to slip into the interstices of possible futures and experiment with the exhibition format.

Recycle Group was founded in 2008 by Andrey Blokhin and Georgii Kuznetsov.
Andrey Blokhin (born in 1987 in Krasnodar, Russia). He graduated from the highschool of the Krasnodar Academy of Industrial Arts and later from the Krasnodar Academy of Industrial Arts itself.
Georgy Kuznetsov (born in 1985 in Stavropol, Russia) graduated from the Stavropol Art College and from the Krasnodar Academy of Industrial Arts.
Concerned about the rising level of material waste as a byproduct of widespread consumerism, their works also draw upon classical Western traditions such as narrative relief carving and Christian iconography to compare contemporary times with other histories – social media with religion, corporate leaders with kings, and online existence with mausoleums.

Brieuc Remy's work, at the crossroads of painting and drawing, resembles a long fiction whose represented figures would be the protagonists. What form(s) will the living beings that populate the earth take once the domestic animal has put an end to human life? This could be the apocalyptic question that the artist tries to answer, not without humor, in a serie undertaken two years ago. He is interested in the relationship between man and the subjects that make up his natural environment.

Luca Resta was born in Seriate (Italy) in 1982 and lives and works in Paris.
His research is built from objects. He explores the social and cultural space he inhabits to refine a creative process linked to the practices of accumulation, reproduction and transformation of matter. 
As a form of contemporary allegory, he probes the vertigo of the series through endless collections of disposable objects, highlighting the compulsions, obsessive repetitions and accumulations that testify to our society's typical "visual claustrophobia".
His works challenge the notion of repetition. Through a continuous exercise of re-education to the obvious, his works confront us with our cultural reference and articulate the very idea of sculpture in relation to that of common form, transforming our daily lives into the experience of the almost invisible.

Mateo Revillo (born 1993 in Madrid, Spain) graduated in Fine Arts from the Ruskin School of Oxford University, then studied at the EHESS. At the junction between painting, sculpture and architecture, his work is carried from a primary dedication to the modernization of mural techniques. He develops a pictorial, material and intellectual research around the painting as an object of memory, to the notion of landscape as absence of the human.

Coming from trainings favoring self-production and a free practice of design by desire, Manon develops a singular formal vocabulary where the drawing occupies a place of
place of first order. Through the line, the forms in volume emerge. The work of metal allows her instinctively to freeze a movement by infusing a little of herself into the
the realization. The objects born from this process take place in the daily life as many talkative creations. Her affinity for color and matter finishes by giving life to her drawings in space.

Clara Rivault (born in 1991 in Paris), after graduating from the Beaux-arts de Montpellier ESBA.MOCO and obtaining a Master’s Degree at La Cambre, joined the research laboratory “Ceramic as an experience” at the Beaux-Arts de Limoges. Close collaboration with craftsmen is an integral part of her work. She explores various mediums, such as bronze, blown glass or porcelain, through a multidisciplinary practice. The concept of “body” is essential in her research.

Dimitri Robert-Rimsky (born in 1986 in Paris) is a visual artist and video maker. He studied at the Institut supérieur des arts de Toulouse and at the Hochschule für Bildende Künste in Brunswick in Germany, in the studio of Candice Breitz. He co-founded Rotolux sutdio in 2015. His work addresses issues that are intimately linked to political fictions, to the narratives that have been used to implement urban or architectural utopias, to forms of domestication of nature or to environmental transformations.

Madeleine Roger-Lacan (born in 1993 in Paris) graduated from the Ecole des Beaux Arts de Paris and studied at the Slade School of Fine Art in London. Her pictorial research is figurative and plays with the materiality of the "painting" object by borrowing from the abstract and sculptural vocabulary of modern and contemporary painting. Narrative, fantasy and the imaginary, on a background of popular culture, are the framework of the poetic universe she constructs.

Jack Rother Garcia (born in 1987 in Montreal) is a self taught artist working in Paris. His pratice covers a range of mediums from collage to painting to printing, flyers and photography. His work often deals with unfiltered exploration of self, often alluding to themes of solitude, absurdity, fear, tenderness, self deprecation, and social commentary at large. This is mostly achieved through a combination of text, abstract color work, and appropriated pop imagery.

Rotolux is a collective workshop founded in 2015, by Léna Araguas, Alaric Garnier, Anaïs Leroy, and Dimitri Robert-Rimsky, initially in a former printing house in Bagnolet. Rotolux has since been transformed into a space for work, research, and production, hosting exhibitions, projections, and performances. This variable geometry entity has thus become a new multidisciplinary team of artists, researchers, graphic designers, and curators.

Coline Rousteau is an artist and researcher. She graduated from Sciences-Po Lille in political philosophy and from ENS Lyon in cinema. She started a research-creation thesis at EUR ArTeC - "Faire voir l'exil au guichet : une recherche-création sur la mise en espace et en images des gestions et affections bureaucratiques de la migration en France et en Allemagne". Her work combines aesthetic, plastic and ethnographic research, and focuses on the issue of exile in cinema.

Né en France en 1985, Paul Rousteau explore les limites de la photographie et de nos perceptions. Son art, fait d’illusions optiques, navigue entre art digital et matières picturales. Aux frontières de l’abstraction et de l’art sacré, ses images aux couleurs radieuses révèlent la quête profonde de l’artiste « sublimer le visible pour dévoiler l’invisible ». Du portrait au paysage, ses visuels hallucinatoires et contemplatifs sont demandés par les plus grands magazines, marques et musées (New York Times, Hermès, M Le Monde, Louis Vuitton, Mucem, Vogue, le Louvre).

Honi Ryan (born in Melbourne, Australia) graduated with a Bachelor of Visual Arts between Cologne International School of Design and the University of Sydney and a Master of Fine Arts at Transart Institute, between Berlin and New York. As a performance and installation artist with a nomadic social practice, her work is marked by cross-cultural concerns, dealing with the present body in relation to others and the environment.

Apolline Regent lives and works in Paris. Born in 2001, she graduated from the Beaux-Arts de Paris and Goldsmiths, University of London. Her practice is grounded in assemblage, accident, and a openness to reality, driven by a constant creative energy. Navigating between humor and tenderness, she develops experimental spaces that blend invented narratives with lived experiences. Deployed through installation, painting, drawing, and sculpture, her work gently mocks our overly serious relationship with language, authority, and the conventional affects we project onto them.

Olga Sabko (born in 1990 in Kiev, Ukraine) graduated in graphic arts at the Technical University of Ukraine and at the Ecole des Beaux-Arts de Paris. Experimentation, spontaneity and listening to the material are at the heart of her artistic practice. She is inspired by the evolution and decomposition in nature, the movement of time that makes all kinds of things expire and degrade. Her organic sculptures are always created spontaneously by hand and embody the experience of life in the moment beyond the visible.

Anna Saint Pierre works on the memory of places through the collection and reuse of demolition materials. A textile designer who graduated from the Ecole Nationale Superieure des Arts Décoratifs in 2016, she has been a doctor since 2022 in Sciences Arts Creation Research with a thesis entitled "Textilising the built memory". Between 2018 and 2021, her research was supported by the ANRT to be integrated into SCAU architecture, and was the subject of a residency at the Sèvres - Manufacture et Musée nationaux laboratory. In 2022, she was the winner of the Grand Prix de la création de la ville de Paris in emerging design, and produced two works of 1% artistic.

Sofía Salazar Rosales (born in Quito, Ecuador, in 1999 to Cuban-Ecuadorian parents) lives and works between Paris, France, and Quito, Ecuador. She completed the prestigious two-year residency program at De Ateliers in Amsterdam in 2025, following a Master’s degree with distinction from the École Nationale Supérieure des Beaux-Arts de Paris (ENSBA), where she studied under Tatiana Trouvé, Petrit Halilaj, and Álvaro Urbano. She also holds a Bachelor of Fine Arts with distinction from the École Nationale Supérieure des Beaux-Arts de Lyon.