Alexandre Nitzsche Cysne (born in Rio de Janeiro in 1998) has been living in Paris since 2022, where he completed his Master’s degree (with highest honors) at the École des Beaux-Arts de Paris in Tatiana Trouvé’s studio. During his studies, he collaborated with artist Sophie Calle. He is the recipient of the Prix Baudry d’Asson, awarded by the Amis des Beaux-Arts de Paris (2024), and of the Prix Carré-Sur-Seine (2025). His artistic approach is grounded in affective animism and stems from his interest in an archaeology of the sensible: the possibility of intersecting stories through the recovery of urban and domestic materials and minimalist gestures. His intentions crystallize in the form of sculptures, installations, and drawings. The artist plays with life at the limits of the world.

Adrien Ogel (born in 1992 in Saint-Maurice, France) follows pictorial investigations begun at school, a figurative painting evoking the memory of architectural details and urban landscapes that he encounters on a daily basis. He develops two central series that articulate his work; small oil paintings on canvas, enregard with large formats on paper with gouache and India ink. In 2021, he won the Grand Prix du jury Horizon with Service méridional, and is currently following the SHIFT accompaniment program led by the AMAC agency.

Viktoriia Oreshko (born in 1997 in Sarny, Ukraine) graduated with highest honors from the Monumental Painting Department of the National Academy of Fine Arts in Lviv in 2018. She then continued her studies at the École supérieure des Beaux-Arts de Bordeaux, before joining Tim Eitel’s studio at the École nationale supérieure des Beaux-Arts de Paris in 2022, where she graduated with highest honors in 2025.
Through objects, interiors, and everyday details from her native country, she brings forth subtle presences. Beneath this softness, however, a tension emerges, where reality and violence surface in filigree.

Raphaël-Bachir Osman (born in 1992 in Creil) graduated from the Haute École des Arts du Rhin and also studied at Kunsthochschule Weissensee Berlin. From 2017 to 2020 he was the codirector of Erratum Galerie, an artist-run space in Berlin. From painting to installation, he develops a multi media work that questions and mocks the notion of originality, the process of creating, exhibiting, and mounting a work. He plays with materials and codes of presentation by associating autobiographical elements and a certain magic of the ordinary.

Daniel Otero Torres' multidisciplinary work encompasses practices as diverse as sculpture, installation, ceramics, painting, and drawing, which has linked these different facets since the beginning. Many of his works are distinguished precisely by a unique technique, on the border between drawing and sculpture, marked by a virtuoso photo-realistic line applied to monumental structures in cut steel. This process produces a material and contextual shift. In general, his images do not represent a single person, but a visual and historical collage created from different sources: archives, old books, contemporary newspapers or online sources.

Born in 1993, Lisa Ouakil lives and works in Paris. She graduated from the École Nationale Supérieure of Arts of Paris-Cergy in 2017. Her work is mainly based on painting
while also focusing on writing, film, music and more recently ceramics. The paintings develop around the analogy between the pictorial material and the flesh, the notions of the body and landscape in a particular attention to the color.

Born in Istanbul in 1997, Emre Özakat explores the memory and circulation of digital images through painting. He reconfigures images found online into canvases where they are warped, stretched, or fractured, and where obfuscation forms a pictorial language. Thin layers of oil, fading into the linen, lend the images a spectral presence, highlighting the tension between fleeting digital circulation and the slow temporality of painting.

Masha Pangilinan is a Russian-Filipino artist. Born in 1990 in Kurgan (Russia) and graduated from the Moscow Academy of Fine Arts (V. Surikov). She has been living and working in Paris since 2014. In her work, Masha explores the representation of male and female bodies in art history. In her pseudo-paradise world, she changes the conventional perception of the male gaze towards the reified body, using classical references from art history in her compositions.

Ji-Min Park (born in 1988 in Seoul) lives and works in Paris. A graduate of the École Nationale Supérieure des Arts Décoratifs in Paris, her work has always been
multidisciplinary. She navigates fluidly between different worlds, different states, and different practices. This is how she regularly collaborates with performers or even filmmakers. In 2021 she participated in the film Return to Seoul by Davy Chou as the main actress, a film selected for the Cannes Film Festival 2022.

Juliette Peres (born in 1997 in Asnières) graduated from the Beaux-Arts in Paris in 2023. Her practice focuses on exploring our ways of relating to the world, to the natural and cultural bonds we have with other species: goats, dogs, daisies... Based on dialogues with specialists (botanists, archivists, illusionists, etc.), she creates and shares texts, tools, and performances that reveal our conscious and unconscious ways of coexisting.

Born in 1991, Anne-Laure Peressin is an art critic and curator. With a degree in law and art history, she was an active member of the Young Art Critics Collective (YACI) from its creation to 2020, editor in chief in the art press for 4 years and author in art popularization for the 8-12 at Fleurus editions. She regularly collaborates in the writing of exhibition catalogs and conducts interviews with artists, notably for the Editions des Beaux-arts de Paris. Since 2021, she has been working on a cultural rehabilitation project for the Château de Saumane, known as the Château du Marquis de Sade, to become a future cultural center for contemporary art and literature. In 2023, she co-founded the collective La Force des Choses with Salma Cheddadi and Frédérique Sarkozy around the notions of circularity in contemporary creation, to question the value of human labor spent in the mechanisms of fabrication, monstration, mediatization, circulation or exchange in an ecosystem strongly impacted by our behaviors and our modes of consumption. His research is essentially focused on three axes: the mediation of contemporary art with young people; a reflexion on the object-work to better understand its components and deployments; and a reflexive approach of the devices and the place of the exhibition - conditional thought of the apprehension of contemporary art -.

Raphaëlle Peria (born in 1989 in Amiens) graduated from the Beaux-Arts de Paris. In her work, she questions the duality of Man and Nature, scratching the photographs that she takes during her travels all over the world to distort them. Since 2016, she has been represented by Galerie Papillon.

Stefano Perrone (b.1985) is an Italian artist who works between Paris and Milan. He graduated in Industrial Design from Politecnico di Milano in 2008 and worked as an art director in advertising until 2015. Perrone is a self-taught painter, whose practice is not limited by subject matter, appropriating images from the contemporary digital zeitgeist and daily life. His practice reflects the “stream of consciousness” process of web browsing, walking the line between abstraction and figuration.

Simon Petit Fort (b. Paris, 1991) graduated from the Sorbonne, Villa Arson and Beaux-Arts de Paris in 2024. His practice combines installation, sculpture, image and text. His work focuses on an osmotic relationship between the body and its environment. Shapes, colors, lights and textures help to blur the boundaries between body and object, body and space, and to imagine how new regimes of corporeal and sensitive existence might be translated. His work has been shown at the Centre Wallonie-Bruxelles in Paris, the Crous Gallery and the Strouk Gallery, and was published in the latest issue of NNFICTION 06.

Boryana Petkova (born in 1985 in Sofia, Bulgaria) graduated from the National Academy of Fine Arts in Sofia and from the École d'Art et de Design de Valenciennes. Her work focuses mainly on drawing. She combines different disciplines by exploring their interaction with drawing. The main idea of her artistic and philosophical approach is to imagine and create "links", even symbiosis in dissymmetry and dissimilarity.

Pierre Pauze (born in 1990 in Meudon) graduated from Le Fresnoy and the Ecole des Beaux-Arts de Paris. His practice evolves as much in the field of contemporary art, cinema and digital arts. He explores themes linked to the mutations caused by new technologies, notably on the new modes of representation, communication and the mythologies that result from them. He regularly collaborates with scientists and actors in various activities.

Margot Pietri (born in 1990) explores the relationships and affects that humans have with technology. She produces science fiction narratives in which the modalities of our relationships - to objects, to the machine, to others, to the environment and to images - are renegotiated. She imagines new ways of living in a society without hierarchy, where the rhythms of life and work are not based on a presupposed utilitarianism. From these narratives are born sculptures and paintings with altered functionalities that evoke artificial landscapes. She is preparing her next soloshow at the Serre in Saint-Etienne.

Lucile Piketty (born 1990 in Paris) is a French artist who graduated in printmaking from the École Estienne. She then studied at the École Nationale Supérieure des Arts Décoratifs in Paris where she obtained a one-year exchange scholarship to Parsons School in New York before graduating from ENSAD in 2015. Lucile Piketty's work results from the observation of her surroundings, from a work of memory and interpretation. From the engraved, cut out and printed wooden board to canvas and paper, she uses various mediums in search of a plastic and sensitive dimension. Time, waiting, and the cycles of life are themes that recur periodically in her work, while references to the history of art, popular art, and comics are mixed with memories of daily life, and feed her different research.

Foriane Pilon (born in 1991 in Courcouronnes) graduated from the École Nationale Supérieure d’Arts de Paris-Cergy. She mainly creates installations in which space and the work on materials play essential roles. Through the origin of the materials, their transformations, and their use in space, Floriane Pilon considers her works’ relationship with the environment. Using a minimal language, her installations combine strength and fragility.

Émilie Pitoiset (born in 1980, lives and works in Paris) explores, through installations, sculptures, videos, and choreographies, tragi-comic scenarios shaped by our collective fantasies and the desires that structure our social lives.
Her work has been widely exhibited in institutions such as the Centre Pompidou, the Centre National de la Danse, the Palais de Tokyo, Bozar in Brussels, Tai Kwun Contemporary in Hong Kong, the Museo Marino Marini in Florence, the Schirn Kunsthalle in Frankfurt, and the Calouste Gulbenkian Foundation, among others.
Her works are held in numerous public and private collections, including the Centre Pompidou, the Centre National des Arts Plastiques (FNAC), the Musée Départemental de Rochechouart, FRAC Île-de-France, FRAC Champagne-Ardenne, FRAC Sud, FRAC Auvergne, FRAC Occitanie, FRAC Franche-Comté, as well as the Pinakothek der Moderne in Munich, the DZ Bank Sammlung in Frankfurt, the Philara Collection in Düsseldorf, and the AVN Collection in Austria.

Anthony Plasse, born in 1987, is a graduate of the École Supérieure d'Art de Clermont Métropole (2013) and the École NationaleSupérieure des Beaux-Arts de Lyon (2015).his work has been presented in Turin, International Festival of Art and Design Schools (2015), Reykjavík (between 2016 and 2017), Porto andNew York (2018). He has more recently participated in group exhibitions in France such as the 69th edition of Jeune Création at the Fiminco Foundation, Romainville (2020), Qui montent de la terre at the Marcelle Alix Gallery, Paris (2022), Le Promontoire du songeau FRAC Auvergne, Clermont-Ferrand (2022). The works presented during his first solo exhibition at the Serre, Saint-Étienne (2020), enter the public collections of the FRAC Auvergne (2021) and the Museum of Modern and Contemporary Art of the city of Saint-Étienne (2022).

Agathe Pollet (born in 1993 in Paris) is an object designer and scenographer. She develops a multidisciplinary practice, often collaborative, in the fields of decorative arts and scenography. She uses fiction as a space of exploration, elaborating imaginary narratives that she stages in illustrations and phantasmagorical settings. From this fictional universe, organic and colorful silhouettes emerge that she materializes into sculptural objects.

Olivain Porry is an artist and PhD (SACRe) from the EnsadLab laboratory of the École des Arts Décoratifs. He creates collectives of objects: installations inhabited by chatty toasters, twisting fans, or unstable monochromes. Through cybernetic détournements, he explores the relationships between humans, machines, and living beings. Represented by Avant-Galerie Vossen, he co-founded the Éditions du respirateur in 2024, dedicated to experimental artistic publishing.

Producer and curator of contemporary art projects, specialist of the Mediterranean and founder of MARITIMA 01 & MARLANDS supported by the EU and the UN, Elena works, thanks to the support of leading art museums and cultural centers, to the realization of artistic projects of international dimension with contemporary artists, researchers and scientists. Elena's professional practice is largely based on the search for new working methods and is supported by its art residencies launched 10 years ago.