Louis Lanne is a graduate of the Beaux-Arts in Paris. Inspired by comic strips, Louis uses the magnetic whiteboard as a support for his creations. He superimposes paint, resin, felt and tar to form microcosms saturated with colour and detail. His compositions, dense and abundant, evoke stories in filigree, mixing adult and child realities with an identifiable and playful visual vocabulary.

Working at the intersection of video, photography, and contemporary dance, Ludivine Large-Bessette uses the body as both subject and motif to capture our desires for power and our limits (artificial, physical, and normative). Historical and popular imagery, which often inspires her work, supports the construction of contemporary allegories that challenge the viewer’s position and our relationship to progress and power strategies.

Antoine Larrera (born in 1992 in Paris) projects on the canvas (de)constructions of reality caught on the spot. His sets are made of representations or photographs that are digitally distorted, made abstract by manipulations on computer software. His creative process resembles those distorting mirrors that turn a known body into something strange. In his paintings, the eye could detect familiar objects, recognized spaces where Antoine places bodies from another dimension.

The obsession of Amalia Laurent (born in 1992 in France to a Javanese mother and a Languedoc father) with alternative realities has given rise to a body of work - installations, performances, sculptures, dyeings - that makes tangible the boundaries between real and parallel worlds. In 2023, she obtained a second Master's degree at EHESS - Ecole des Hautes Etudes en Sciences Sociales - and continued her thesis there. She was awarded the Mondes Nouveaux scholarship in 2023 and is currently a resident at the Villa Médicis (2024/2025).

The work of Vincent Laval (born in 1991 in Gouvieux) is above all that of an artist-walker. If this one materializes physically by sculptures and photographs, the essence is drawn from the attentive observation of the wild through walks in the nature. Mainly in the heart of the forest, because it gathers an immense variety of living and non-living elements, he is in search of markers of balance or, on the contrary, of imbalance of these elements.

Victoria Le Boloc’h-Salama is an independent art critic, cultural programmer, and podcast producer and director.
Trained as an art historian and a member of AICA, she supports artists in the development of their projects. A founding member of the collective Jeunes Critiques d’Art and co-founder of Le Bruit de l’Art, she regularly writes for media outlets, galleries, and institutions. She also curates and moderates talks, and occasionally serves as a jury member within the contemporary art network in France.

Camille Viallet and Théo Leclercq are French designers based in Paris. After graduating from Esad de Reims, they opened there eponym studio in 2016. They draw objects, furnitures, textiles and spaces with a curiosity for new creative context. Their practice explores different production systems, working both with industry and on a more local scale. In 2018, their research project « La Cité » was awarded the public prize at Design Parade, at villa Noailles. Besides their own practice, they also work as project assistant for Inga Sempé (Camille) and Robert Stadler (Théo).

After a first career in architecture, Anna Le Corno (born in 1987 in Vanves) learnt cabinetmaking at the École Boulle. Creating a dialogue between tradition and the digital world and questioning abstraction, action and time, her graphic and colorimetric research is expressed through marquetry frescoes and unique pieces of furniture with an animal and poetic language.

Tommy Lecot was born in Paris in 1992.
Drawing on existing entities, he assembles a variety of materials in order to achieve a formal concordance, an obviousness.
His many references to the history of art reflect a desire to understand the past in order to place it in tension with its present environment.
Through a variety of plastic approaches, his approach reveals his doubts, not so much out of humility as out of a desire to reveal himself to the viewer.

Anaïs Lelièvre (1982) has a DNSEP and a PhD. Based on experiences of territories, her drawings restore transversal dynamics and range from ceramics to monumental installations. According to a contextual approach, his work is developed in residencies in France and abroad (Iceland, Brazil, Switzerland, Canada, Portugal, Saudi Arabia...). His works can be found in the collections of the FRAC Picardie, the MASC Museum in Sables d'Olonne, and the Jenisch Museum in Switzerland.

Thomas Lelouch is an artist and designer who graduated from the Arts Décoratifs de Paris in 2015 with a degree in animation film. His practice in stop-motion volume gradually led him towards sculpture and spatial design. Trained in various artistic crafts, notably plasterwork (staff) and bronze, he went on to co-found the creative studio Atelier Craft in 2015.
In 2023, he resumed his sculpting practice, focusing on a "collectible design" approach, blurring the lines between art and design. Since then, he has collaborated with artist Clémence Mars, with whom he created the White Noise collection of sculptural furniture, exhibited at Maison & Objet In the City 2025 and the Paris Design Week 2024 and 2025 editions.

Anouck Lemarquis (born in 1982 in Nîmes) obtained a degree in architecture (ENSAG / McGill University / Montreal) and a post-master’s research diploma in Philosophy and Architecture (ENSAPLV). She develops her work between artistic practice and theoretical research around the status of the image as a critical experience of geographical and fictional/

Le Massi is a Canadian visual artist, musician, and actor, who graduated from Concordia University with a Bachelor of Fine Arts, with his major in photography. He is part of two artistic duos – CubeAndre and ejs.lm. He is also one of the founding members of the Montreal-based music group Human Human. His photographs combine elements of poetry, travel, and spontaneity. His work also seeks to connect themes such as tourism, social identity, and cultural sites.

Anaïs Leroy (born in 1985 in Nantes) develops a practice of performance based on sculpture and aims to work with the space of the stage, flirting with the performing arts. She creates figures, often in the middle of a robinsonade, who find the means of their moral and intellectual survival in the territories sculpted by the artist.

Mathilde Lestiboudois, born in 1992, graduated from the École nationale supérieure des beaux-arts de Paris (2017). She also studied at the Universitäte der Kunste, Berlin, in 2016 and was a resident at Casa Velasquez in 2021-2022. Through the medium of painting, Mathilde Lestiboudois represents empty interior spaces. Intermingling architectural fragments and geometric forms, she questions space and its temporal dimension.

Anne Le Troter (1985) is an artist based in Paris who combines sound installation, performance, theater, literature and poetry.
After writing two books, "L'encyclopédie de la matière" and "Claire, Anne, Laurence", she began to work on the place of speech at work. Thus Anne Le Troter invites groups of people such as ASMR artists and telephone interviewers to record with her ("L'appétence", sound piece, 2016 Prize of the Salon de Montrouge and the Palais de Tokyo, "Les mitoyennes" La BF15, 2015, "Liste à puces" Palais de Tokyo, 2017 and "Les silences après une question" at the Institut d'Art Contemporain de Villeurbanne, 2017). Invited by the Pernod Ricard Foundation, the Rennes Biennial, the contemporary art center Le Grand Café in Saint Nazaire, the Nasher Sculpture Center in Dallas and the Centre Pompidou, the artist then engages other writing cycles around the notion of biography, fiction and utopia around the question of our modes of reproduction. In 2021 she was awarded the Bétonsalon and ADAGP grants (Les Volontaires, pigments-médicaments, Bétonsalon, center d'art et de recherche, 2022), Mondes Nouveaux as well as the Kujoyama villa.

Noémie Lettoli (born in 1993 in the Paris region) graduated from the Beaux-Arts de Paris. Her artistic practice focuses on interactive installations and scenography. Her work, drawing on memory and imagination, continually questions space and its limits. Her approach is based on experimenting with perception. In her installations, she pays particular attention to the present environment and to its harmony, through light and minimalist forms.

Augustin Lignier (born in 1995), a graduate of ECAL and the École des Beaux-Arts de Paris, explores the performative dimension of photography, from its production to its reception. At the intersection of scientific experimentation and absurd gestures, his work questions the mechanisms of image-making and the impact of digital technology on our modes of perception. His practice unfolds across performance, installation, and conceptual photography.

Renske Linders (born in 1995 in The Hague, Netherlands) has been residing in Paris since 2022, after obtaining her degree in Art & Culture from Erasmus University Rotterdam in 2021. Through her oil paintings, the artist captures intimate and flourishing moments, evoking love, rebirth, and exploration, all while consistently celebrating the feminine form. Through compositions imbued with softness and mystery, Renske's work conveys a message of hope and emancipation.

Thibaut Lipski (Born in Toulouse in 1989) is an object designer who questions the ordinary typology of everyday artifacts. Common objects such as a garbage can or a broom are then given new plastic horizons. Thibaut adds a sculptural dimension to the mute objects of our environment and questions the relationship between form and function.

The Local Technique collective, located within the POUSH community in Aubervilliers (Sucre building), is a space for exchange and experimentation that brings together curators and art workers. Operating at the intersection of practices such as writing, criticism, research, scenography, and curating, it is conceived as a textual laboratory and a visual platform driven by encounters, dialogue, and exploration.
While Local Technique functions primarily as an office dedicated to the analysis of contemporary cultural practices, the space also operates as a project space, hosting specific programming that includes screenings, performances, exhibitions, readings, discussions, and editorial research.
Members: Alice Loumeau, Anna Tardivel, Anne-Laure Peressin, Clara Darrason, Lou-Justin Tailhades, Mahsan Shams, Margaux Knight, Raphaël Giannesini, Valentin Bansac, Victoria Le Boloc’h-Salama

Born in 1990 in Buenos Aires Argentina, he grew up in Bolivia and then moved to France for his studies, he obtained his DNSEP with congratulations of the jury at the ESAD of REIMS. Currently resident at Poush manifesto. Juan Ignacio Lopez arrived in France at the age of 18. After such a radical change of scenery, Ignacio tries by all means to recompose his daily life through painting. Often dealing with subjects related to time, memory and perception. Beyond the attentional aspect of his aesthetics, he follows an organic principle in all his creative steps. From the preparation of a parasitic matter to its taking on the support. Ignacio's creative process is articulated between his studio, the garden, memories, the exploration of potential spaces until the exhibition. During the hanging, he makes the piece interact with its light environment, this moment being an integral part of the process. Besides painting, he experiments in his studio-laboratory with different fermentation processes.

Thibault Lucas (born in 1984 in Suresnes) creates, inter alia, installations in situ in “useless” areas on the outskirts of Paris, or in unusual places such as the belfry of the Mairie du 1er arrondissement or the Church of Saint-Merry. Stone is a central motif in his work: it allows him to create endless landscapes, or sculptures evoking archaic or sacred monuments, made out of materials that he collects in the city or in nature.

Claire Luna is an art historian and Americanist (North America and Latin America). She is an exhibition curator and art critic. In addition to her interest in non-Western art scenes and those forgotten in history, she seeks to identify what she might identify as a trend or a subject in the contemporary world, often at the crossroads of different fields of study and above all at the mercy of meetings. She recently conceived La rencontre des eaux, a cycle of exhibitions, meetings and performances around water as a political and poetic subject (Cité Internationale des Arts & CNAP). Another important project was the traveling exhibition Sens-Fiction carried out by RF studio (Tripostal & Lieu Unique). She is interested in the idea of displacement - that of the gaze and that of the body - and particularly in wandering and drifting. She is currently working on what she calls the theory of stuttering, the concept of the space between and infiltration as a strategy of struggle or resistance. She is looking for the re-enchantment of our time through poetry, dream, belief or the sacred. Claire Luna is a member of AICA (International Association of Art Critics), CEA (Association Française des Commissaires d'Exposition), of the Jeunes Critiques d'Art collective, of the thinkers' office at POUSH and co-founder of the research laboratory l'Echo du vivant at CAC La traverse. She taught art theory at the University of Paris 8 and joined RADICANTS (2022), the curators' cooperative founded by Nicolas Bourriaud.