Born in 1986, Olivier Jonvaux is a graduate of the ENSBA - École nationale supérieure des beaux-arts de Lyon and the Fresnoy - Studio national des arts contemporains. He has been invited to various residencies and artistic institutions in France and abroad. His work has been exhibited at the Palais de Tokyo, the LAM - Villeneuve-d'Ascq, the Musée d'art moderne de Saint-Étienne, Basis Frankfurt, the CEAAC Strasbourg, the Bazaar Compatible Program in Shanghai. His films have been presented at SESIFF in Seoul, ISFF in Clermont-Ferrand, Instants Vidéos in Marseille, Pavillon Sicli in Geneva. His work has been exhibited at the Salon Jeune Création and has received various awards including the Ateliers d'art de la Réunion des musées nationaux, the AIA and the AIC of the DRAC Île de France, or the Chantiers de la création at Mains d'Œuvres. His work covers different mediums, from sculptural to multimedia, drawing on fields as varied as philosophy and comics.

Isabel Judez (born in 1992 in Guri, Venezuela) is an artist and architect based in Paris. Through sculpture, installation and performance, she challenges rigid narratives of territorial history and envisions inclusive and environmentally friendly forms of heritage. Combining natural fibres, stone and collective actions, her practice explores the relationships between territory, memory and transmission.

June is a multidisciplinary artist. Through sculpture, her work evokes the absurd, paradox, absence, and memory. She composes environments with ambiguous scales using architectural, sonic, visual, and poetic fragments.

Saija Alexandra Kangasniemi is a Finnish visual artist. She has graduated from Aalto University in Finland. She works through the mediums of performance art and visual art, often exploring the notions of consciousness, presence and concentration. She is interested in participatory and collective working methods, and creating bodily practices that can open new relations with the environment and other beings.

Kyoko Kasuya is a Japanese artist and film-maker who lives in Paris. After the 2011 earthquake and tsunami and the Fukushima accident, she chose to stay in France, which prompted her to explore contemporary society and its identity. Her work focuses on the temporality of shared experiences, memories of the Second World War and the lives of contemporary women. Her work deals with sociological and historical subjects, aiming for a universal understanding of human experience. Since 2020, she has been a member of Crown Letter, an international collective of women artists, and has exhibited at various festivals and institutions such as BIENALSUR, KYOTOGRAPHIE, the Fiminco Foundation and the Institut Français.

Farid Kati (1994) is a Franco-Algerian artist whose multidisciplinary practice—spanning installation, sculpture, video, and drawing—explores invisible forces and dynamics of displacement. A graduate of the Beaux-Arts in Le Mans and Paris, he creates kinetic dispositifs that transform wind into “adugraphies” (adu meaning wind in Berber), revealing questions of memory, migration, transmission, and mobility through sensitive, site-related forms.

After studying at EM Lyon and ESMOD Paris, which led her to undertake a six-month initiation journey in Asia, Solène Kerlo (born in 1990 in Suresnes) decided, at age 30, to pursue her childhood passion, which she had neglected for too long: painting. Using an earthy and textured palette, she represents the symbols of an imaginary and spontaneous calligraphy, as though she was unearthing from the bowels of the earth a universal and immemorial language, which would establish a communication
between the visible and the invisible, between matter and spirit.

Alexandre Khondji’s practice (born in France) is grounded in a contextual and experimental approach. His works, diverse in form and method, seek a balance between the act of intervention and the intrinsic qualities of the contexts they inhabit.
His work has been presented at the Okayama Art Summit in Japan, the Fondation Pernod Ricard in Paris, Sweetwater gallery in Berlin, the Museum für Moderne Kunst (MMK) in Frankfurt, the CAPC Musée d’Art Contemporain in Bordeaux, and the LUMA Foundation in Arles.

Morteza Khosravi, born in 1988 in Bojnourd, Iran, is an Iranian artist who lives and works in Paris. His practice develops primarily through painting and sculpture. Based in Paris since 2023, he joined POUSH in 2025, where he continues to develop his work in his studio.
His research envisions painting as an autonomous medium. Nourished by art history, cinema, photographic archives, and personal or anonymous images, his works question the memory of images, their displacement, and the conditions of their appearance.
Morteza Khosravi has presented several solo exhibitions, notably at Leila Heller Gallery in Dubai and New York, Galleri Ramfjord in Oslo, Artlab Gallery in Beirut, as well as Iranshahr and Golestan galleries in Tehran, Danjeh in Semnan, and 4rtgallery in France.
His work has also been featured at the MENART Fair in Paris and Brussels, Contemporary Istanbul, Beirut Art Fair, Festival Partage des Arts, as well as in the group exhibition Demeure, organized by POUSH at the Paris Pantin Cemetery.

Tilhenn Klapper (b. 1994, Vermont, USA) is a visual artist and choreographer with degrees from the Beaux-Arts de Paris (MFA Atelier Danse Emmanuelle Huynh), Sciences Po Paris (MA Political Ecology), and Vassar College in NY (BA Philosophy). She is interested in the forms and practices linking humans to the invisible and the sacred in pre-modernity, and what they do to the noeliberal scheme. Her works are ways of keeping in touch with the embedded memories and hallucinations that the earth holds.

Léa Klein learnt drawing at the Lycée Estienne. She then entered the Ecole des Beaux-Arts de Paris, where she discovered sculpture in Giuseppe Penone’s workshop. Léa Klein reflects on these experiences through her practice of drawing. The graphic activity, influenced by the rhythm of ornamental Guyanese sculpture, transcribes the character of the places that the collective has frequented over the past decade.

Margaux Knight is an independent curator with a background in social sciences and Latin American studies. Her curatorial projects are rooted in critical reflection on displacement and the decentering of perspectives, drawing on feminist and decolonial epistemologies from a situated standpoint.
Recently, she has curated group exhibitions at POUSH, in the historic Cité Falguière studio, at Julio Artist-Run Space, and at the Casabanchel cultural center, as well as solo exhibitions at ARCO Madrid and Salon H. In parallel, she writes curatorial texts for galleries and institutions (Jousse Entreprise, Fundacion EACHEVE, Paris Photo…). She is a member of the feminist association Contemporaines and the Bureau des penseur.euses at POUSH.

Sarah Knill-Jones' (born in 1969 in London) work investigates the human figure and its propensity for the monstrous as well as the power of abstract gesture to create a visceral response to the world. Often inspired by the relationship between humans and nature, she seeks to provoke reflection on the duality of our relationship to our environment. She explores the expressive links between the substance of painting and the body through painting, photography, monotype, video, and collaborative projects.

Painter of Russian origin. Born in Moscow (in 1987), she lived in Laos and Italy before settling in Paris. After studying literature, philosophy, and photography school, Nina Koltchitskaia turned to painting. She expresses herself through poetry and painting in a unique and sensitive style. On canvases or large murals, her intuitive works express freedom and romance. Her work is characterized by a soft and dreamy atmosphere, where each piece becomes an emotional journey. Through her creations, Nina Koltchitskaia invites an intimate exploration of the human soul, blending sensitivity, poetry, and a touch of magic. She questions memory, the curvature of time, and the representation of love. Her paintings evoke the tranquility preceding a storm, capturing frozen landscapes and dreamlike scenes where flying fish and birds converse with the moon, in a palette of romantic colors. NK regularly exhibits her projects in Paris (« la Femme fleur et
l’Oiseau » musical portraits - 2021) and in Asie (« Romance » museum of Contemporary art of Seoul - 2021, and « le Tour du Monde avant la Tempête » solo show at the WWF gallery Seoul,
Korea - 2025).

Victoria Kosheleva (born in 1989 in Moscow) graduated from the Moscow State University named after Surikov, Department of Monumental Painting in 2012. She studied at Parsons in New York, in the department of design, and at the “Free Workshops” of the Moscow Museum of Modern Art. She works in the genre of figurative painting, often using surrealistic elements.

Born in 1995, Gabrielle Kourdadzé grew up in Paris in a French-Georgian family. She graduated in 2019 from the Ecole Nationale Supérieure des Arts Décoratifs de Paris. Her work revolves around the mediums of ink drawing and oil painting, and deals with the representation of the body and its inscription in the social space. She is also a musician (piano, accordion and singing), and her plastic works are combined with sound installations.

The practice of Emma Kovo (born in 2000 in Paris) gravitates around the imprint through different techniques of collage, photogram, and printing, such as engraving or silk screen. The intention is not to keep the trace of existing things but to use as raw material the artist’s own plastic traces, the material that she creates, samples, and diverts. She experiences the ardor of the gesture and of this gesture she keeps a trace which will be transformed, accumulated, saturated, then altered.

Currently based in Paris and fascinated by his contemporaries, everyday objects, and the transformations of the body related to the passage of time. In 2012, in order to escape the feeling of isolation imposed by studio work, the artist started painting alone in the streets using a brush. His giant octopuses now sprawl all over Paris, their endless tentacles running across the city's facades and rooftops. "I love the idea of painting in urgency," Initially preoccupied with his studio work (drawing, painting, and video), Kraken "observes life unfolding, even the least graceful of it."

Nika Kutateladze was born in 1989, in Tbilisi. He studied on the faculty of Architecture at the Tbilisi State Academy of Arts between 2007 – 2011. In 2013 he graduated an informal master’s course at the Centre of Contemporary Art, Tbilisi (CCA-T). The majority of the artworks comprise installations and sculptures, reflecting day-to-day consumerism and different environmental issues. His later artistic utterances challenge the transformative process of architectural spaces and urban environment, in general.

Hélène Labadie is an artist and object designer. In ceramics, glass, textile or metal, her creations seem to be caught between two disciplines, at the border of art and design. Largely anthropomorphic, the objects "are directly inspired by film characters" she confides. Her strange and unique objects are close to cartoon characters with which she recreates her own fictions.

Constance Lafonta (born in 1997, Paris) is a contemporary artist who explores profound themes such as memory, identity and human fragility. A graduate of the Beaux-Arts de Paris and Central Saint Martins, she approaches her work with a philosophical reflection on the impermanence of memories and the way in which identity evolves over time. Her immersive work invites both a sensory and conceptual experience, questioning the viewer's perception of the fluidity of existence. Often involving a collaborative aspect, Constance also encourages reflection on the collective dimension of the human experience, highlighting the interaction between the individual and the collective, the tangible and the intangible. Her works thus become spaces for intellectual meditation, where notions of time and identity are constantly redefined.

Martin Laforêt (born in 1991 in Paris), lives and works in Vernon, France. His work is part of the arte povera aesthetic, but does not follow any precise course of action. Inspired by artisanal know-how and the intelligence of the hand, he likes to handle the ambiguity of industrial construction materials to give them a new nobility. In contrast to the usual practices of design, which often seek to conceal technique for the benefit of aesthetics, he develops a language of deconstruction, or rather he unveils the construction.

Grégoire Laisné (born in 1982 in Tours) graduated from the Ecole des Beaux-Arts de Rouen, he started his artistic career as an engraver. He was awarded the Prix Lacourière for his first works on paper. His unique monotypes immediately stand out, through the presence/absence of the human figure in a kind of impossible and universal portrait. Whether it is through painting, printmaking or drawing, Grégoire Laisné is now developing very personal techniques, combining computer-based methods (digital drawing) and more traditional skills.

La Méditerranée is a research group cofounded by artists Mateo Revillo and Edgar Sarin, and art historian Ulysse Geissler. Each one, through his own experience, has developed processes and methods over the past decade with the purpose of supporting the singular ecology of each exhibition, like a space of action. Under this model, at the opening, neither the audience nor the artists can know where the exhibition is headed: its principle is built as the exhibition unfolds.